VCE · Text Response
Text Response: Sunset Boulevard shows that the pursuit fo…
VCE Text Response essay scoring 77.5%: Set in post-war America, Billy Wilder’s black comedy, Sunset Boulevard, satirises the obsessive tendencies…
Set in post-war America, Billy Wilder’s black comedy, Sunset Boulevard, satirises the obsessive tendencies exhibited by the ambitious in the frivolous film industry of the 1950s. More specifically, the film noir scrutinises the relentless search for success, condemning Hollywood’s superficial values. Through such values, the piece probes the extent to which individuals may sacrifice their autonomy to maintain status and relevancy. This sacrifice often leads to psychological corrosion, resulting in a crippling collapse. Nevertheless, the film proposes that discovering authenticity frees individuals from the impairments caused by fame, alluding to a possible escape from the entrapment it drives. Consequently, Wilder warns viewers of the effects of uncontrolled ambition, exposing the Hollywood industry that fuels such illusions for monetary gain.
VCE · Text Response
Text Response: Sunset Boulevard shows that the pursuit fo…
VCE Text Response essay scoring 77.5%: Set in post-war America, Billy Wilder’s black comedy, Sunset Boulevard, satirises the obsessive tendencies…
Set in post-war America, Billy Wilder’s black comedy, Sunset Boulevard, satirises the obsessive tendencies exhibited by the ambitious in the frivolous film industry of the 1950s. More specifically, the film noir scrutinises the relentless search for success, condemning Hollywood’s superficial values. Through such values, the piece probes the extent to which individuals may sacrifice their autonomy to maintain status and relevancy. This sacrifice often leads to psychological corrosion, resulting in a crippling collapse. Nevertheless, the film proposes that discovering authenticity frees individuals from the impairments caused by fame, alluding to a possible escape from the entrapment it drives. Consequently, Wilder warns viewers of the effects of uncontrolled ambition, exposing the Hollywood industry that fuels such illusions for monetary gain.
VCE · Text Response
Text Response: Sunset Boulevard shows that the pursuit fo…
VCE Text Response essay scoring 75%: Set in post-war America, Billy Wilder’s black comedy, Sunset Boulevard, satirises the obsessive tendencies…
Set in post-war America, Billy Wilder’s black comedy, Sunset Boulevard, satirises the obsessive tendencies exhibited by the ambitious in the frivolous film industry of the 1950s. More specifically, the film noir scrutinises the relentless search for success, condemning Hollywood’s superficial values. Through such values, the piece probes the extent to which individuals may sacrifice their autonomy to maintain status and relevancy. This sacrifice often leads to psychological corrosion, resulting in a crippling collapse. Nevertheless, the film proposes that discovering authenticity frees individuals from the impairments caused by fame, alluding to a possible escape from the entrapment it drives. Consequently, Wilder warns viewers of the effects of uncontrolled ambition, exposing the Hollywood industry that fuels such illusions for monetary gain.
VCE · Text Response
Text Response: Sunset Boulevard shows that the pursuit fo…
VCE Text Response essay scoring 75%: Set in post-war America, Billy Wilder’s black comedy, Sunset Boulevard, satirises the obsessive tendencies…
Set in post-war America, Billy Wilder’s black comedy, Sunset Boulevard, satirises the obsessive tendencies exhibited by the ambitious in the frivolous film industry of the 1950s. More specifically, the film noir scrutinises the relentless search for success, condemning Hollywood’s superficial values. Through such values, the piece probes the extent to which individuals may sacrifice their autonomy to maintain status and relevancy. This sacrifice often leads to psychological corrosion, resulting in a crippling collapse. Nevertheless, the film proposes that discovering authenticity frees individuals from the impairments caused by fame, alluding to a possible escape from the entrapment it drives. Consequently, Wilder warns viewers of the effects of uncontrolled ambition, exposing the Hollywood industry that fuels such illusions for monetary gain.
VCE · Language Analysis
Language Analysis: Thank you for attending this emergency…
VCE Language Analysis essay scoring 80%: VCE English Section C — 2024 Argument Analysis As “Our Local Gym” faces an uncertain financial future, its…
VCE English Section C — 2024 Argument Analysis
As “Our Local Gym” faces an uncertain financial future, its members must decide whether to accept an unconventional partnership with confectionery company Long Live Lollies to preserve their community. In a speech delivered at an emergency meeting, Sandy Gestalt, chair of the gym’s committee, seeks to persuade members to support the proposal despite its apparent conflict with the gym’s commitment to health and fitness. Gestalt acknowledges these concerns while arguing that financial security is essential to maintaining the gym’s inclusive culture. By initially emphasising the community’s value, highlighting the consequences of closure and reframing the partnership as an opportunity for collective growth, she encourages members to prioritise the gym’s survival over their reservations. The accompanying visuals reinforce this argument by associating confectionery with happiness, connection and physical vitality, ultimately presenting the partnership as a pragmatic compromise.
Gestalt initially establishes the significance of Our Local Gym by reminding members of the community they have collectively created. Her assertion that “we are a community” foregrounds the gym’s social value, positioning members as participants in a shared identity rather than simply customers of a fitness facility. Similarly, the acknowledgement that members “have built your fitness” recognises their personal investment, encouraging them to consider what they stand to lose if the gym closes. By emphasising the gym as a “safe space for all people”, Gestalt also reinforces its inclusive ethos, distinguishing it from fitness environments that may prioritise appearance over belonging. This appeal encourages members to feel pride in the gym’s values and responsibility for preserving them. The accompanying visual of cheerful cartoon confectionery characters reinforces this sense of community through their smiling expressions, bright presentation and gestures suggestive of friendliness. Rather than depicting the lollies as an unwelcome commercial intrusion, the image gives them an approachable and positive identity. The visual therefore begins to soften the apparent divide between the gym’s health-conscious culture and the confectionery company’s interests. By establishing that the gym’s greatest value lies in the community it sustains, Gestalt prepares members to consider the partnership as a possible means of protecting that shared identity.
VCE · Creative Response
Creative Response: writing about protest
VCE Creative Response essay scoring 85%: faint roar of a motorcycle and the occasional bark of a stray dog could be heard. I checked the time. 7 pm,…
faint roar of a motorcycle and the occasional bark of a stray dog could be heard. I checked the time. 7 pm, just like the ock said. And then I saw them. Slowly one by one women gathered on all the neighboring rooftops. Some alone, some with mothers, sisters, daughters. This scene alone, all us women being one step higher from all the men in the city beneath us, gave me a sence of defience.
Slowly one by one small lights started piercing through the dark night sky, candles held up in the air filled my vission as I raised my own. This. This was enough. No matter how repressed we had been, we have had enough. Although no noice was made, no big poster with a slogan, no chants, no seraming. This was a protest. A protest against not being recognised. A protest against denying us education, a protest from us feeling like nothing in the presence of another man.
I thought about what my mother said, to look for the brightness. Well here it is. Through all this darkness in our lives, we were all able to light a candle and reccgnise that we can be eachother's light.
saw ourselves doing in the near future, our goals. Little did we know it was an hourglass slowly losing its sand overtime, a ticking time bomb. As I glanced at the old school yard it once was, I saw the girls that once played there running around freely, like they should be, like ghosts of the past.
The streets were now so loud and so quiete at the same time. Men were heard arguing over fish prices, little boys kicked around a ball. But the women - the women moved differently like guests in their own country.
As I walked in the bakery, although I was stepping up to enter. I kept my head held down belitiling myself to go as unoticed as possible. I could hear the soft crackele of the bread being made behind the counter, when I suddenly noticed her. Another women, a girl who seemed my age, looking like me in an identical blue burqua. But then again, that was everyone. All stripped of their individuality.
VCE · Text Response
Text Response: In Rainbows End, attempts to help are…
VCE Text Response essay scoring 65%: The play 'Rainbows end’ written by Jane Harrison, takes places during the 1950’s. It explores the various forms of…
The play 'Rainbows end’ written by Jane Harrison, takes places during the 1950’s. It explores the various forms of adversity placed upon Marginalized Aboriginal communities in the face of superior Anglo Australian forces. Whilst Harrison does suggest that fate for Aboriginals is undeservingly sealed, she does ultimately highlight the importance of resilience and that the attempt to control identity through family and development of time brings positive impacts.
The increasing prevalence of family provides Aboriginal characters with an important sense of belonging in time of hardships. Through the portraying of the three main characters and how their uniquely different generations act, Harrison protrudes examples that allow the audience to understand benefits of connections. At the start of the play Harrison introduces a destroyed humpy, and with the the resilience of the dears family, the way they uphold them selves after their identity has been simply “washed away”, Harrison is able to develop the audiences understanding of the characters and the importance of their chemistry in the face of natural disasters. Throughout the play Dolly is increasingly seen a defier of strong oppression, Harrison conveys this directly through the development of her education, for instance, Dolly’s ability to teach Gladys how to pronounce “Regina” is strategically placed to contrast the differing nature of the characters, Harrison allows the audience to understand how beneficial the connection between dolly and Gladys is as it allows for the development of Aboriginals as whole, therefore also acting as a provider for the family as it provides specifically Gladys with the confidence and sense of belonging to then go on and do the same thing for the others throughout the play. Importantly Harrison sequentially provides a situation in which dolly is provided to. After he sexual assault, Gladys and Nan “unite and arrange themselves” Infront of Dolly at the sight of Error, while being wrong, Harrison uses the scene to further portray the importance of family, again she juxtaposes Errol as a white superiority, representing the anglo forces against, Dolly, the smaller marginalized and helpless Aboriginals. this representation quickly questions the assumption that family and the power of it is useless. Overall through what the family collectively endure throughout the text , Harrison emphasizes the positive impacts of family by showing how it allows characters to maintain their identity when it is most vulnerable.
VCE · Creative Response
Creative Response: Small acts, big wins.
VCE Creative Response essay scoring 100%: Small Acts, Big Wins They say if you want to change the world, you should start with the next person who needs…
Small Acts, Big Wins
They say if you want to change the world, you should start with the next person who needs your help. For as long as I can remember, that person has slept across the room from me.
I don’t think anyone will be surprised — you least of all.
You shared a room with me for fourteen years. You watched me shrink: not physically at first, but personally — the way I tilted my head from every camera, the way I begged you to delete the beach photo you took that summer, the way I deflected every compliment as if it were meant for someone else. I learned early that being seen and being enough were not the same thing, and somewhere in that gap I began quietly resisting the only way I knew how: by disappearing. It was a small act, repeated until it became a life — just aimed in the wrong direction.
It started with one post at midnight: a boy my age, before and after, the after sharpened by lighting and filters and a discipline I could never replicate. I saved it before I’d finished reading the caption. I told myself it was motivation. But every image left a residue, every comparison carved something small away, until I understood that what I was losing wasn’t weight or time. It was refusal itself: the capacity to say no to a measurement I never agreed to.
I thought the voice in my head was mine. Not lean enough. Not muscular enough. And underneath both, the one I never said aloud: not wanted enough. I added a second session before school, logged every rep, and tried to optimise myself the way the platform optimised everyone else. There was always another body, another ranking, another number glowing brighter than mine, and I began to understand something terrifying: satisfaction was never the goal.
This was not a personal failure. It was architecture. Once I saw the blueprint, every post became a floor plan.
You knew this too, I think. You heard it through the wall: the soft tap of my thumb at one in the morning, the blue light leaking under my door. And I have watched you do it too — the third retake, the thumb hovering over your own face, the small exhale before you deleted the photo and tried again. So I am speaking for both of us, and for everyone who has ever mistaken a business model for a mirror.
We were never broken. Broken people do not generate billions in revenue. The system does not monetise contentment; it monetises duration — the longer we doubt ourselves, the longer we stay. So when I close the app mid-scroll, I am not failing to engage. I am refusing to be processed. It is a small act. But small acts are the one thing the blueprint never accounted for.
VCE · Creative Response
Creative Response: The Question
VCE Creative Response essay scoring 70%: The Question — Speech Our people have been pushed around by oppressive systems. We ask ourselves: are we…
The Question — Speech
Our people have been pushed around by oppressive systems. We ask ourselves: are we finally ready to stand up for our rights?
In 1897, our ancestors were brought to Fiji to work tirelessly in the sugar cane fields. Even now, we are still victims of the perpetuation of systemic racism, which has infiltrated every facet of society.
We are ready to seek change through peaceful rallies, but the question is whether we are truly prepared to fight for our rights.
Recently, a teacher of Indian descent was driven to quit his job due to racist abuse and discrimination from both students and fellow teachers. The abuse overwhelmed him so much that he feared going to work.
What did the Fijian government respond to this situation?
Nothing. The government does not care about the struggles we are facing. They do not care about the welfare of our community. They will try to silence us and dismantle our movement.
VCE · Text Response
Text Response: How does The Memory Police convey the…
VCE Text Response essay scoring 92.5%: ‘The Memory Police’, by Yoko Ogawa is a dystopian thriller which fictionalizes a fragmented society eroded by the…
‘The Memory Police’, by Yoko Ogawa is a dystopian thriller which fictionalizes a fragmented society eroded by the disappearances of objects. Although Ogawa presents memory as fundamental to identity and solidarity under the forces of oppression, she simultaneously alludes to its fragility, as even its retention does not grant immunity.
Initially, Ogawa presents memory as necessary to the retention of identity, as individuals become unable to recognize the significance of objects in relation to their past and the bonds they form. The author’s depiction of the narrator and her relationship with her father, who was an ornithologist, reflects this loss suffered by the island’s inhabitants. Though the two once bonded, standing “cheek to cheek”, “watching [birds] take flight”, upon the disappearance of birds, the narrator’s sentiment toward birds, in relation to her late father, is extinguished, as she describes them as “small brown creature[s]”. Ogawa confirms this as the narrator claims “everything [she] knew about them” having been disappeared from “inside her”, further exemplifying the fruitlessness of prior significance. The enforced forgetting of objects results in the loss of a fragment of one’s identity including that of connection to others. Additionally, Ogawa alludes to memory as responsible for providing substance to life, examined through the disappearance of roses. Through her allegorical description of the rose plant having been “reduced to bare stalks”, likening them to “brittle bones”, Ogawa suggests that the flower is the sole purpose of a rose plant, and without such, they leave only an empty, fragile vessel - identical to humans without their memories. Thus, Ogawa demonstrates how the authoritarian regime strips people of their identity, disabling solidarity and agency.
VCE · Creative Response
Creative Response: Connections
VCE Creative Response essay scoring 95%: Connections To my grandchild, and to those who will inherit this country, I first arrived in Australia in the…
Connections
To my grandchild, and to those who will inherit this country,
I first arrived in Australia in the 1940s. From the deck of my ship, it seemed as though the coastline stretched beyond the limits of my imagination. This same rugged line ties me to you now, more than our shared surname ever could. As I am sure you know, I had left Italy behind with little more than what I could carry. I believed that a country so vast must have room for a man to start again. And so I did.
My movement to Australia severed my connection to not only my home country, but my family as well. Despite this, the opportunity to learn and grow and unite upon a land of 'boundless' fertility proved irresistible. Here, I could establish a new life for myself. Through DebCo, my home-grown fertiliser business, I found a way to contribute to the country that was now my home. There was dignity in what I had built, and I will never deny that. I worked the Australian soil for days on end. The acrid scent of a rich coastal landscape taught me the language of my new home. What I built upon this 'lucky country' used to be a true relationship. I fed the soil, and the soil fed me. However, my child, you must know that a connection to this land you inherit is not as simple as I have always made it out to be.
As dry seasons encroached upon my daily harvest of the land, I could no longer manipulate soil and sun to produce what I needed. In the particularly hot months, my fertiliser would dry up and crack long before my crop could absorb it. Eventually, I learnt that cultivation doesn't simply adhere to your desires. Instead, it became clear to me that success on this Australian soil stems from an agreement with the earth. A reciprocal connection between a man and his land always provided an opportunity, but never a guarantee.
VCE · Creative Response
Creative Response: Connections
VCE Creative Response essay scoring 90%: Connections To my grandchild, and to those who will inherit this country, I first arrived in Australia in the…
Connections
To my grandchild, and to those who will inherit this country,
I first arrived in Australia in the 1940s. From the deck of my ship, it seemed as though the coastline stretched beyond the limits of my imagination. This same rugged line ties me to you now, more than our shared surname ever could. As I am sure you know, I had left Italy behind with little more than what I could carry. I believed that a country so vast must have room for a man to start again. And so I did.
My movement to Australia severed my connection to not only my home country, but my family as well. Despite this, the opportunity to learn and grow and unite upon a land of 'boundless' fertility proved irresistible. Here, I could establish a new life for myself. Through DebCo, my home-grown fertiliser business, I found a way to contribute to the country that was now my home. There was dignity in what I had built, and I will never deny that. I worked the Australian soil for days on end. The acrid scent of a rich coastal landscape taught me the language of my new home. What I built upon this 'lucky country' used to be a true relationship. I fed the soil, and the soil fed me. However, my child, you must know that a connection to this land you inherit is not as simple as I have always made it out to be.
As dry seasons encroached upon my daily harvest of the land, I could no longer manipulate soil and sun to produce what I needed. In the particularly hot months, my fertiliser would dry up and crack long before my crop could absorb it. Eventually, I learnt that cultivation doesn't simply adhere to your desires. Instead, it became clear to me that success on this Australian soil stems from an agreement with the earth. A reciprocal connection between a man and his land always provided an opportunity, but never a guarantee.
VCE · Text Response
Text Response: To what extent is sunset boulevard about…
VCE Text Response essay scoring 90%: To what extent is Sunset Boulevard about the loss of control? Billy Wilder's film noir 'Sunset Boulevard' explores…
To what extent is Sunset Boulevard about the loss of control?
Billy Wilder's film noir 'Sunset Boulevard' explores the darker side of Hollywood as the film follows the narration of deceased protagonist, Joe Gillis, while he recounts the events leading to his demise. Set in a time where silent films transitioned to talkies, Wilder highlights the loss of control to survive in a demanding industry. He warns the audience of the loss of agency when one succumbs to past ambitions, as well as how submission is necessary to persist in the industry. However, the director also portrays control as a tool for manipulation.
Wilder posits that power is lost when individuals forfeit their agency to the delusion of past glory. Set in the transition from silent films to talkies, many actors were rendered obsolete as they clung to the remnants of their aging careers. Rather than adapting to the new reality, Norma Desmond retreats into a stagnant reality where the "dreams she had clung to so desperately had enfolded her." It illuminates the authority that dreams have over the fragile grasp of control when individuals refuse to accept or acknowledge the everchanging present. Through oppressive mise en scene, Wilder constructs Sunset Boulevard as a decaying monument that holdsall of Norma Desmond's past ambition and glory. Norma's shrine of portraits suffocates the notion of a world where she is not at the centre of attention, accentuating the decay of her mental state as a result of the industry's cruel treatment. Her unyielding declaration that "this is [her] life" and "it always will be" echoes the dangers of letting one's past ambitions dictate their life as it leads to absolute insanity. Therefore, Wilder emphasises the loss of control to the unrealistic fantasies created to find safety in abandonment.
VCE · Language Analysis
Language Analysis: Background information The Calm…
VCE Language Analysis essay scoring 87.5%: In her ‘Behind the Cape’ vlog for followers of her social media account, Kinsley Wyler seeks to persuade…
In her ‘Behind the Cape’ vlog for followers of her social media account, Kinsley Wyler seeks to persuade “fans of [her] vlog” and “any newbies who have happened to scroll by” to support and contribute to advance the acceptance and accessibility of animal assisted services in honour of ‘Animal Therapy Awarenes Day’. Wylers primary aim through her sympathetic and uplifting tone is to encourage and support therapy animalsby moving away from the like button and financially contributing, to ensure the continued impact of these “superheroes”.
Wyler opens her vlog by juxtaposing her fictional role as a ‘superhero’ with the ‘real magic’ of therapy animals, immediately establishing a sense of authenticity for her audience. Wylers use of the metaphor “tiny superheroes” evokes a sense of recognition and humility towards therapy animals, through the metaphor Wyler creates an atmosphere among the audience of inspiration and awe to ensure the audience who is attached with superheroes also finds joy and envisions a sense of care for these animals. Furthermore, Wyler adopts a colloquial and self-deprecating tone, using wordplay such as ‘taking a paws’ to foster a sense of intimacy and lightheartedness. By referencing common pet names like ‘Cookie the cat,’ she appeals to the emotional attatchement viewers have with their pets and makes the audience feel as though they share a similar interest. This aims to position Wyler in a place free from any assumptions, by referencing multiple differnt animals rather than common to build an inclusive, engaged and common-interest-sharing audience.In reference to the "three image scroll on-screen", Wyler strongly asserts her personal "impact up close" with therapy animals. The image contains three different individuals (a little boy, older woman and a middle aged man) smiling and enjoying time with the fury friends. The smiles on their face illustrate the "genuine connection" the individuals who are in "rehab facilities", "nursing homes", and "primary schools". This demonstrates the varied diversity of individuals these therapy animals are impacting and "healing". Wyler promotes individuals through personal experiences and lifes changed seen to get involved and keep this organisation running to better the health of more individuals.
VCE · Text Response
Text Response: “By then, I’d started concocting a little…
VCE Text Response essay scoring 90%: Set in the 1950s, beneath the glamorous façade of Hollywood, Billy Wilder’s Sunset Boulevard exposes the widespread…
Set in the 1950s, beneath the glamorous façade of Hollywood, Billy Wilder’s Sunset Boulevard exposes the widespread inauthenticity and moral corruption within the film industry. Wilder presents a world in which individuals frequently abandon their integrity in pursuit of fame or success, highlighting how Hollywood fosters an environment where self-interest thrives at the expense of morality. Many individuals cope with this harsh reality through self-deception, which only hastens their downfall. However, while moral decay is pervasive, Wilder does not suggest that morality is entirely absent. Instead, he acknowledges and celebrates the few individuals who manage to uphold their values amidst the corruption. Therefore, while Sunset Boulevard strongly critiques the lack of morality and integrity in Hollywood, Wilder ultimately presents a more nuanced perspective, revealing that although most are consumed by the industry's moral decay, a select few are able to resist it.
Wilder's depiction of the deceptive nature of Hollywood, where exploitation is rife, highlights how individuals often pursue personal gain at the inherent expense of morality. Within this cutthroat industry in 1940s’ Hollywood, the pressure to succeed compels individuals to compromise their values and integrity. When Morino reassures Joe that “the best things are written on an empty stomach” after Joe appeals for a loan, Wilder critiques the industry’s tendency to normalise the mistreatment and commodification of struggling creatives. Similarly, the exclusive golf course setting, reminiscent of Sheldrake’s private office, reinforces Hollywood’s hierarchical structure, exposing how those outside the elite inner circle are routinely exploited, a perspective Wilder offers to challenge the illusion of equal opportunity. As a result, individuals are often forced to abandon honesty in order to progress. This is exemplified in the contrast between Joe’s internal narration, which dismisses Norma’s screenplay as “trite” filled with “melodramatic plots,” and his outward praise, calling it “great” and “fascinating.” This juxtaposition reveals Joe’s own inauthenticity, driven by his desperation for financial security. The symbolism of the chimpanzee, who “dances for pennies,” further reflects Joe’s role as a performer exploited for survival, reinforcing the transactional nature of success in Hollywood and the cost to personal integrity. Moreover, Max’s choice to perpetuate Norma’s delusions, telling her she is still “the greatest star of them all” because he “made her a star”, exposes his own ego-driven motivations and descent into moral compromise. This is intensified by his symbolic playing of Toccata and Fugue in D Minor, a piece from a bygone era, and driving of the Isotta Fraschini, which fuel Norma’s illusions of grandeur and detachment from reality. Through these examples, Wilder powerfully conveys how Hollywood's celebrity culture, driven by overwhelming selfish ambition, encourages individuals to abandon their authenticity and embrace moral decay in order to further their own agendas.
VCE · Text Response
Text Response: In The Memory Police, Ogawa suggests that…
VCE Text Response essay scoring 77.5%: Oppression relies on not only the power and control oppressors hold, but the change of victims becoming an…
Oppression relies on not only the power and control oppressors hold, but the change of victims becoming an oppressor’s biggest supporter. ‘The Memory Police’ by Yoko Ogawa, is a minimalistic, magical realist novel set on an unnamed island where objects disappear with no reason, ridding of their emotional and physical presence for the inhabitants on the island. Its original untranslated title ‘Hisoyaka na Kesso’ (the slow crystallisation) captures the purpose of the novel to show the importance of memory in social identity, while highlighting the consequences of having bad actors in charge and its effect on the evolution of groupthink and emotional numbness in times of strike. Heavily inspired by the actions of Nazi Germany in World War 2 and the economic crisis in post-World War 2 Japan, Ogawa serves to set a warning on how oppression can prosper, if individuals willingly conform due to their complicity and submissiveness to power and control. Yet Ogawa ultimately suggests the total erosion of choice makes oppression inevitable.
Initially, Ogawa condemns the individuals who decide to become complicit to the actions of the oppressors, where individuals willingly conform as their passivity to control is not challenged. That is the act of complicity ensures oppression can remain in control, thus consequently leading to individuals losing their sense of free will. It is well known that ‘one morning you’ll simply wake up… and you’ll know you’ve lost something’, however for inhabitants on the island many of them ‘[never] said a word about it’’, even if it was their job ‘they seemed to have no regrets about losing the old one’. By placing this performance of a lack of regret, the inhabitants desire to forget their livelihood, incentivise the need to lose their sense of free will to then become conformed, as they believe silence is the only safe way to exist in an oppressive society. Ogawa utilises the forced psychological adaptability of the inhabitants to denounce individuals who rid of their cognitive ability to conform, due to the belief it is the only way and how that when those act complicit to the catastrophic, it then provides no avenue for the oppression to be challenged, rather nurtures it stronger to become more entrenched. Likewise, when the narrator voices ‘it’s the most beautiful disappearance ever’ when seeing the roses ‘floating down the river’, her perspective of such a depraved occurrence being beautiful, highlights the complicit ability of individuals to conform to oppression. Ogawa optimises this use of ironic imagery to warn individuals who beautify the actions of the oppressive, as it inclines themselves to become complicit to their own oppression, thus allowing for authoritarian oppression to succeed through individuals perceiving harm as something comforting or ‘beautiful’, rather than something that needs to be challenged. Additionally, by the ‘snow [continuing] to fall without respite’ and with there being ‘no sign… that snow would disappear’, the eternal winter highlights the consequence of complicity to causing a conformed sense of emotional numbness. That is the fall of snow highlights the gradual loss of hope and joy within the inhabitants where through each complicit act of them self-inflicting the disappearances, whether it be to ‘burn the objects or send them floating down the river’, that it leads to all of them losing their sense of free will to defy the oppression and condemn it. Ogawa utilises the pathetic fallacy of snow on the inhabitants’ motivations to provide insight on how continual complicity to the devastating can further solidify oppression and invoke individuals to groupthink, where it leads to destruction of freedom of thought or to comprehend. Overall, Ogawa criticises those who decide to act complicit in the face of oppression, where consequently their willingness to conform further strengthens the devastating oppression.
VCE · Text Response
Text Response: Sunset Boulevard both challenges and…
VCE Text Response essay scoring 70%: In the 1950 film Sunset Boulevard, director Billy Wilder explores how individuals can both challenge traditional…
In the 1950 film Sunset Boulevard, director Billy Wilder explores how individuals can both challenge traditional gender expectations while simultaneously conforming to them. Through his use of dialogue, symbolism, characterisation, juxtaposition, and narration, Wilder exposes the restrictive gender roles imposed by patriarchal society and the damaging effects of Hollywood’s obsession with youth, beauty and success.
During the 1950s the gender expectations for women were largely based around the idea that a woman's value was her youth and beauty, and their sole purpose in life should be to find a man to provide for them. Betty plays a significant role in defying gender expectations as she has shown to be career driven ‘working her way up from the mail room’ and actively pursuing her passion to be a screenwriter like Joe. She defies the stereotypical passive women as she is seen to be actively wanted to step up in her career, saying to Joe “I don’t want to be a reader my whole life”. As Betty once conformed to society’s standards in the hope to become a star, only to be rejected again and again, even after having procedures done to try and be the most pleasing she could be to society’s (and in this case Hollywood) expectations she realised that she would never fit their cookie cutter mould, so she would just have to defy what they wanted and make her own way in the world.
VCE · Creative Response
Creative Response: Title: 'Right to Rebel'
VCE Creative Response essay scoring 80%: Right to Rebel The first thing they took from us was a right to learn Then it was the school bell Among all, my…
Right to Rebel
The first thing they took from us was a right to learn
Then it was the school bell
Among all, my blood boiled seeing how us girls were being treated.
Sakaria had been at war for just over a year now, not with Belarus, not with Russia but with itself, fighting aimlessly for power. In between them, were us, the innocent, merely trying to make a living, TRYING to live.
Every day, kids and teenagers, boys and girls, all waited eagerly for our beautiful school bell to bring us closer.
That was 6 months ago, or it could have been 8, I can’t remember.
Along with the bell, the militia took our right to learn, said that we were not of use in schools and in labs, our duty was to take care of the children at home and look after the family while our fathers were out fighting and our brothers remained in school, getting a ‘fair’ shot at life.
One morning day, my sister’s alarm echoed from the room next door whilst the sun glistened across my face, waking me up. Just as alarming as the noise, I looked out to see militia men guarding the school grounds, arriving in big Jeeps, with guns almost the size of me, holstered to them.
For some time, news reporters from across the world decided it would be smart to show the world what was happening here in poor old Sakaria, but the militia saw this as an opportunity to boast their power to the world, that they were not, could not be taken down. By now, it was known to the West that females were oppressed as this new ‘regime’ rose, but no one decided to anything.
We remained not only bombarded by the government, but the militia also had their shields of wrath and destruction all over us women, not one of us able to do anything.
VCE · Text Response
Text Response: “Identity is not fixed but continually…
VCE Text Response essay scoring 77.5%: Set in moments of growth, coming of age rituals and reckoning within one’s life, Malouf’s anthology, ‘The…
Set in moments of growth, coming of age rituals and reckoning within one’s life, Malouf’s anthology, ‘The Complete Stories’ frequently explores the idea that identity isn’t fixed nor fully understood until individuals are confronted with experiences that challenge their premonitions on themselves and the environment which surrounds them. Throughout the Stories, individuals are forced to face moments of emotional, physical or psychological challenges that reveal the instability of the identities that they believed were cemented. Through relationships, environment and personal crises, Malouf critically examines that identity is fluid and evolving and is shaped through moments of uncertainty. Ultimately, Malouf presents identity as something that isn’t predetermined but rather reformed and sculpted through experience and reflection.
Malouf initially presents identity as shaped by social expectations but suggests that individuals develop a stronger sense of self when these expectations are challenged. In The Valley of Lagoons, Angus enters a liminal landscape that separates him from the familiar expectations of family and society. The dreamlike quality of the lagoons creates a space for introspection, while Angus's position “in the shadows at the edge of what was being told” physically reflects his uncertainty about belonging. He initially associates masculinity with “tight-lipped understatement, endurance”, revealing how strongly his understanding of himself has been shaped by the expectations of those around him. However, Stuart's vulnerability disrupts this model of masculinity, forcing Angus to reconsider what adulthood and identity require. His movement “into a freshening distance” therefore becomes symbolic of his psychological movement away from inherited expectations, culminating in the realisation that “it was myself I was moving into.” Similarly, War Baby depicts Charlie attempting to construct an identity through the cultural expectation of the heroic soldier. His belief that Vietnam would give “his life direction” reveals his uncertainty about who he is, while intertextual references to The Iliad and War and Peace reinforce his romanticised understanding of war and masculinity. Yet Malouf's structural omission of Charlie's experience in Vietnam disrupts this heroic narrative. Instead, Charlie returns with “ghostly selves”, suggesting that his previous identities remain within him. Through liminal setting and structural disruption, Malouf therefore demonstrates that identity develops when individuals confront experiences that challenge the identities they have previously accepted.
VCE · Text Response
Text Response: Despite the isolating nature of the…
VCE Text Response essay scoring 65%: In places isolated from the rest of the world, communities are built within to protect from any threat posed. Yoko…
In places isolated from the rest of the world, communities are built within to protect from any threat posed. Yoko Ogawa's speculative dystopian fiction 'The Memory Police', set on an enigmatic, unnamed and isolated island, reveals how The Memory Police as a hegemonic force systematically enforces the disappearances of objects, memories and ultimatly the self. Ogawa explores how this erasure systematically dismantles the communities and connections that try to withstand it. Moreover, Ogawa notes that connection provides a vital, albeit fragile, counterforce for finding purpose in a world engineered to sever bonds. However, Ogawa argues that private resistance through connection is ultimatly unable to withstand enforced isolation. Thus Ogawa emphasises that connection brings hope to isolated communities, that relief is ultimatly transient under the enforced isolation of an authoritarian regime.
Ogawa demonstrates how authoritarianism is not only catalysed through overt control but through the silent compliance of a society who chooses safety over agency when isolated. Ogawa uses the narrators observation of the increasingly insular society to reveal a chilling numbness when "no one ever complained" and "nobody said a word about it", indicating a societal resignation that has allowed the regime to grow unchecked and continue to isolate society. The disappearance of the birds, a potent symbol of freedom and life, plunges the Narrator into "the middle of that lonliness, feeling [herself] on the verge of being drawn into its depths", evoking a psychological abyss created by the enforced isolation of society through the disapearences. Such imagery is employed by Ogawa to reveal how authoritarian regimes dismantle not only physical bonds and reality, but the emotional landscapes of its victims, forcing them into isolation. Ogawa reinforces this by using the Narrators detached recounting of her "mother... [and] father [dying]", whose muted tones suggest the emotional emptiness of being isolated from familial communities. Ogawa employs pathetic fallacy, where "winter deepened" and the island becomes "blanketed in heavy stagnant air", the environment mirroring the character’s internal stasis to emphasise the destruction bred by enforced isolation. Ogawa withholds the decree, the motif, and the authority throughout, allowing them to follow where memories are isolated from. Passive submission offers little overt hope in the face of totalitarian domination - and it is this passive submission that Ogawa argues is causing isolation within society.
VCE · Text Response
Text Response: How does Marquez use elements of magical…
VCE Text Response essay scoring 87.5%: At its core, the novella reveals Santiago’s death as a fated enigma through the incorporation of premonitions and…
At its core, the novella reveals Santiago’s death as a fated enigma through the incorporation of premonitions and prophetic dreams. This constructs a convenient fatalistic narrative that Marquez uses to dismantle the absurd dogma of the town. This is particularly evident through the gnomic quality of Santiago “always dreaming about trees”, until the morning of his murder when he awakes “feeling completely spattered in bird shit”. The misinterpretation of the dream as a positive augury by Placida Linero who was the resident “accurate interpreter of other people's dreams” isn’t merely a personal failure, metonymy of the town’s broader moral paralysis, where the reliance on comforting dogma deliberately blinds them to the visceral, inconvenient reality of the violence they are about to commit, leading them to consider his death as an “enigma” rather than a reality they curated themselves. Thus, the symbolism of the dream represents the fallacy of the town’s honour code as it seems noble, strong and enduring like the “timber trees" however, as the novella exposes the inherent moral rot beneath the veneer of honour, this timber too begins to rot. Márquez uses the ‘bird shit’ not just as an omen, but as a mechanism of obstruction: when the honour code becomes too weak to justify their actions, the town uses the filth of the crime to obscure their vision. By turning their eyes from the rotting timber to the magical realism inspired absurdity of the ‘bird shit,’ they effectively blind themselves, choosing to label the resulting murder as
VCE · Text Response
Text Response: Despite the isolating nature of the…
VCE Text Response essay scoring 77.5%: In places isolated from the rest of the world, communities are built within to protect from any threat posed.…
In places isolated from the rest of the world, communities are built within to protect from any threat posed. Yoko Ogawa's speculative dystopian fiction 'The Memory Police', set on an enigmatic, unnamed and isolated island, reveals how The Memory Police as a hegemonic force systematically enforces the disappearances of objects, memories and ultimatly the self. Ogawa explores how this erasure systematically dismantles the communities and connections that try to withstand it. Moreover, Ogawa notes that connection provides a vital, albeit fragile, counterforce for finding purpose in a world engineered to sever bonds. However, Ogawa argues that private resistance through connection is ultimatly unable to withstand enforced isolation. Thus Ogawa emphasises that connection brings hope to isolated communities, that relief is ultimatly transient under the enforced isolation of an authoritarian regime.
Ogawa demonstrates how authoritarianism is not only catalysed through overt control but through the silent compliance of a society who chooses safety over agency when isolated. Ogawa uses the narrators observation of the increasingly insular society to reveal a chilling numbness when "no one ever complained" and "nobody said a word about it", indicating a societal resignation that has allowed the regime to grow unchecked and continue to isolate society. The disappearance of the birds, a potent symbol of freedom and life, plunges the Narrator into "the middle of that lonliness, feeling [herself] on the verge of being drawn into its depths", evoking a psychological abyss created by the enforced isolation of society through the disapearences. Such imagery is employed by Ogawa to reveal how authoritarian regimes dismantle not only physical bonds and reality, but the emotional landscapes of its victims, forcing them into isolation. Ogawa reinforces this by using the Narrators detached recounting of her "mother... [and] father [dying]", whose muted tones suggest the emotional emptiness of being isolated from familial communities. Ogawa employs pathetic fallacy, where "winter deepened" and the island become "blanketed in heavy stagnant air", the environment mirroring the characters internal stasis to emphasise the destruction bred by enforced isolation. Ogawa withholds the decree, the motif, and the authority throughout, allowing them to follow where memories are isolated from. Passive submission offers little overt hope in the face of totalitarian domination - and it is this passive submission that Ogawa argues is causing isolation within society.
VCE · Text Response
Text Response: In Sunset Boulevard, relationships are…
VCE Text Response essay scoring 95%: Postwar consumerism in the 1950s led to the encouragement of personal advancement and the prioritisation of power,…
Postwar consumerism in the 1950s led to the encouragement of personal advancement and the prioritisation of power, often at the cost of authentic relationships. Billy Wilder's 1950 gothic noir film Sunset Boulevard posits that while relationships can include affection, they are often built upon power and control when individuals desperately chase success in Hollywood. By constructing a society where power imbalances are prominent in relationships, Wilder reveals how affection can also be significant, but is ultimately overwhelmed by the need for control and success in a ruthless industry.
In the opening of his film, Wilder depicts a society where relationships are plagued by underlying motivations to gain power or control. Wilder's use of a low angle shot of Joe's deceased body floating in "the pool" that "he always wanted" foreshadows a tragic ending to Joe's relationship with Hollywood. The low angle of this shot reveals press agents and flashing cameras above his deceased body, displaying the industry's lack of regard for his dignity in their pursuit to exert control and commodify something as tragic as death. Thus, Wilder's use of cinematography in tandem with Joe's cynical self-description as a "poor dope" suggests that Joe is a victim of a toxic relationship where he was under the control of Hollywood's disproportionate power. As such, Wilder demonstrates how even the industry itself approaches its relationships with a prioritisation of power, suggesting that this priority is widespread amongst relationships in 1950s society, not for affection. The nature of Norma and Joe's relationship exemplifies this. Their association persists only because Joe "wanted the dough", seeking power in the form of financial gain despite his knowledge that Norma was precariously "sleepwalking along the giddy heights of a lost career". Joe therefore pursues this relationship in the effort to increase his power, exposed in a low angle shot depicting Joe standing over Norma as he believes he holds control. However, the shot's background reveals a portrait of Norma "hovering over" him, suggesting that she holds control in reality. Therefore, by displaying that Joe and Norma's relationship is merely a mutual struggle for personal gain and control, Wilder portrays Hollywood as an environment where relationships are primarily built upon a desire for power rather than affection.
VCE · Text Response
Text Response: Sunset Boulevard shows the pursuit of fame…
VCE Text Response essay scoring 100%: In Billy Wilder’s 1950 film noir Sunset Boulevard, Hollywood promises recognition and prosperity while concealing…
In Billy Wilder’s 1950 film noir Sunset Boulevard, Hollywood promises recognition and prosperity while concealing the personal sacrifices through which these rewards are pursued. Through its unsettling portrayal of a forgotten star and an unsuccessful screenwriter, the film reveals how the desire for success can compromise identity, integrity and relationships. Norma Desmond’s dependence on public admiration renders professional rejection psychologically devastating, while Joe Gillis’s attraction to the material rewards associated with Hollywood success gradually undermines his autonomy. However, through Betty Schaefer’s adaptability and commitment to meaningful writing, Wilder distinguishes destructive celebrity worship from worthwhile creative ambition. Ultimately, the pursuit of fame becomes perilous when recognition ceases to be a professional aspiration and becomes the foundation of personal worth.
Through Norma, Wilder exposes the danger of constructing an identity entirely around the admiration that fame provides. Her declaration, “I am big. It’s the pictures that got small”, reveals her determination to preserve her former greatness by attributing her exclusion to the industry’s decline. The emphatic assertion of her own importance allows little room for self-assessment, suggesting that the identity Hollywood once celebrated has become impossible for her to relinquish. This psychological stagnation is reflected in the mansion’s mise-en-scène, where photographs and screenings of her earlier performances surround Norma with versions of her former self. Joe’s description of the house’s “creeping paralysis” consequently characterises both the decaying setting and its inhabitant’s inability to move beyond the past. Yet Wilder complicates any judgement that her suffering results merely from vanity. DeMille’s observation that press agents can damage the “human spirit” identifies the publicity machinery that has encouraged her dependence on extraordinary attention. Moreover, her admission that she is “not very attractive” exposes the insecurity beneath her imperious behaviour. The subsequent beauty treatment montage, described through Joe’s militaristic reference to an “army of beauty experts”, presents her attempted return as a punishing struggle against ageing. The dramatic irony that she prepares for a production that has not been promised makes this pursuit particularly futile. Wilder thus condemns a celebrity culture that teaches performers to measure their worth through admiration and desirability, then abandons them when those standards become impossible to sustain.